Norfolk and Norwich Operatic Society

‘Fiddler on the Roof’

Characterisations and Directors Audition pieces

TEVYE

An impoverished dairyman and community leader. He is passionate, generous, despite his stubbornness. He deeply loves his family and religion using his beliefs in tradition, God and his relationships to find answers in amongst the confusion and challenges his life encounters. There is a lot of depth and pathos to this character – not looking for a Topol impersonation – needs a lot of thought into this character. Playing age late 40’s/late 50’s
 
LIB: page 38 (from ’you call that a mazeltov’) to page 41and pages 87 & 88 (includes speech in Chava song)
VOCAL:  1  If I were a Richman (Bar 1 - 35 then cut to 84 - end)   2  Tevye's Monologue (All)

GOLDE

Tevye’s spirited, stubborn hard-working wife who often makes decisions based on superficial factors. They have been married for 25 years, running his household – she is the framework of the family. Like Tevye she wants to uphold tradition. Her love of family outweighs tradition in the end – especially when meeting Chava in the final scenes. Golde needs warmth, a true ‘mother’ figure. Playing age late 40’s/late 50’s.

LIB: pages 20 – 22 and page 87
VOCAL:  Sabbath Prayer ( Bars 5 to 29)

TZEITEL

Tevye’s oldest daughter. She is mature and shrewd. Very much in love with her childhood friend, Motel. They have secretly pledged to marry each other. She is the first daughter to confront her father and break tradition. Playing age mid-late 20’s.

LIB: pages 22 – 23 and pages 38 – 39 (from ‘May the Lord smite me with it’)
VOCAL:  Matchmaker  (Bars 85-141)

HODEL

Tevye’s second eldest daughter. Like her mother she is spirited, quick witted and speaks her mind – forthright. She is willing to confront other people’s opinions which is what Perchik finds attractive about her. She falls madly in love with Perchik and then eventually follows him to Siberia. Playing age early-mid 20’s.

LIB: pages 67 - 69
VOCAL:  Far from the Home I Love  ( Start to bar 46)

CHAVA

Tevye’s third eldest daughter. She is gentle, sensitive and compassionate. We should feel that Chava has been in the shadows all her life until she breaks free to run off with Fyedka. She loves to read and spends most of her life with her nose in a book, which leads her to a meeting with the Russian gentile. Chava is the last to break tradition – marrying against her father’s strongest wishes. Playing age 16 – 20. Chava must look fragile and have good movement skills for ballet at the end of the show.

LIB: pages 55 – 57 and pages 97 & 98
VOCAL:  Matchmaker  ( Start to bar 70)

LAZAR WOLF

A wealthy butcher whose wife is dead and therefore wishes to marry the much younger Tzeitel. He can be mulish, self-centred and uncomplicated. He needs to be a strong character actor. Playing age 50’s.

LIB: pages 26 – 28
VOCAL:  To Life  ( Start to bar 63 singing all parts please)

MOTEL KAMZOIL

The young nervous, sensitive tailor who has been family friends with Tzeitel all of his life and is very much in love with her. Naturally timid and edgy around Tevye, he conquers his fears to make a stand when asking for Tzeitel’s hand in marriage. Playing age mid-late 20’s.

LIB: pages 39 – 41
VOCAL:  Miracles of Miracles  ( Start to bar 38 )

PERCHIK

He is a ‘modern’ Jewish revolutionary student from Kiev. He is confident, passionate and philosophical. He eventually falls for Hodel and her spirit. Perchik is responsible for introducing the idea of breaking tradition into the village. He also believes that the villagers should have an awareness of what is going on in the outside world, how forces are working against Jews within Russia. Playing age late 20’s.

LIB: pages 67 - 69
Vocal:  Now I have Everything  ( Start to bar 21 )

FYEDKA

The young Russian man who falls for Chava. He is kind and charming, non Jew who has integrity and overlooks cultural differences resulting in marriage to Chava. He must be a good mover for ‘To Life’ routine. Playing age early-mid 20’s. A very slight Russian accent required.

LIB: pages 55 & 56
VOCAL:  To Life  ( Bar 173 to end )

YENTE

An excellent character actress required. She is a childless widow who meddles in everyone’s business. Talkative, pushy matchmaker with an eccentric personality. Her last aim before she dies is to get to the ‘Holy Land’. Playing age 50’s upwards;

LIB: pages 7 & 8 (from ‘What does that poor little tailor Motel..)
VOCAL:  The Rumour  ( bars 9 to 36 singing all parts please )

SHPRINTZE

Tevye’s second youngest daughter. Must look 11-12. Must be able to sing as they will also be in ‘Matchmaker’ song.

LIB: pages 4 - 6
VOCAL:  Matchmaker  (Start to bar 70 singing all parts please )

BIELKE

The youngest daughter. Must look around 8 – 9. Again has to be a good singer as she will be included in the ‘Matchmaker’ number.

LIB: pages 4 - 6
VOCAL:  Matchmaker  (Start to bar 70 singing all parts please )

AVRAM

The bookseller. Any age

LIB: pages 15 & 16 (odd lines only)
VOCAL:  See Male Chorus
 

CONSTABLE

The Russian officer who resides within Anatevka. He builds up an unlikely friendship with Tevye, but follows orders to orchestrate pogroms against the Jews. He needs a commanding presence, so we realise he is always there. Playing age 40’s. A Very slight Russian accent required.

LIB: page 33 only
VOCAL:  See Male Chorus

FRUMA SARAH

Lazar Wolf’s terrifying first wife. She needs to have a powerhouse of a voice. Playing age 30’s upwards;

VOCAL audition only:  The Dream  ( bars 115 to 138 )

GRANDMA TZEITEL

Golde’s dead grandmother who makes an appearance during the ‘Dream’ sequence. Playing age 60’s.

VOCAL audition only  The Dream  (  Bars 1 to 34 )

MENDEL

The Rabbi’s son. Opinionated and think he knows all the answers. Playing age late 20’s.

LIB: pages 17 - 19
VOCAL: See Mens Chorus

MORDCHA

The Innkeeper. Playing age late 30’s upwards;

LIB: pages 59 & 60
VOCAL: See Mens Chorus

NACHUM

The beggar. Playing age 40’s upwards;

LIB: page 3 (odd lines only)
VOCAL: See Mens Chorus

RABBI

An old experienced character actor required. He needs an expressive face – the spiritual leader of Anatevka. Ideally needs to be a small man. Playing age late 60’s.

LIB: page 5 (odd lines only)
VOCAL: See Mens Chorus

SASHA

Fyedka’s friend. He is the Russian Tenor solo in ‘To Life’. He also needs to be a good mover for the dance. Playing age late 20’s/early 30’s.

LIB: page 54 & 55 (odd lines only)
VOCAL:  To Life  ( 172 to end.  MUST sing long pause and higher part bars 197 to end )

SHANDEL

Motel’s mother. Playing age late 40’s – names to be submitted only.
 
VOCAL: See Female Chorus

FIDDLER

Ideally would be a bonus if it was a real violin player. He needs to have a good character face. Any age.

Names to be submitted only.

VILLAGERS

All different characters – you will all be placed within a family unit and will be with these for most of the show. All ensemble will have a character name and character job within the village environment.
 
MALE CHORUS VOCAL:
 
Russians:  To Life  (Bars 173 to end )
Others:  Tradition  (  Bars 64 to 79 )
 
FEMALE CHORUS VOCAL:
 
Alto:   Tradition  ( Bars 82 to 98 )
Sopranoo:  Anatevka  ( bars 36 to 49 )

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